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Simon Bor

Writer

Simon Bor

Simon studied Animation at Farnham, and, more recently, was awarded an MA in Professional Writing from Falmouth University.

He set up Honeycomb Animation with Sara Bor and has been involved in children’s television since the mid 1980s.

As a writer, Simon has co-written and created several shows including Milkshake’s ‘Funky Valley’. As a director and producer, he has been responsible for several half-hour specials and over 20 animated series including multi-award-winning ‘Grizzly Tales for Gruesome Kids’ and ‘Wolves, Witches and Giants’.

Simon’s book of prints, ‘Cambridge Lost in Time’, is available on Amazon, along with ‘Red Riding Hood’s Phone’, an updated version of the traditional tale.

Report: Masterclass: Moomins & Pippi Longstocking

Posted on: Friday 10 July 2020 7:08pm

Takeaways  ‘Pippi Longstocking’ was central to re-educating children after the second world war and the end of the Hitler Youth. The beauty of Pippi Longstocking as a character is that she is at home doing normal things. ‘Moomins’ reflects Finnish society after the war. Men were working and women were…

Report: Commissioner Conversations- Channels

Posted on: Thursday 09 July 2020 5:26pm

Takeaways Producers must do their homework. They need to watch the channels and be prepared to explain how the project fits. In normal times meetings would be at markets, but it’s virtual pitches only at the moment. All content should have the potential to go global, even if it starts…

Report: Commissioner Conversations- SVODs

Posted on: Wednesday 08 July 2020 10:32pm

Takeaways  The on-demand platforms are serving families well during the pandemic with educational content and art-and-craft shows helping home-schooled kids. Black History and diversity are amongst the projects the platforms would look at getting involved with. The platforms are on the lookout to acquire big brands and little gems. Children’s…

Report: Commissioner Conversations - PSBs

Posted on: Tuesday 07 July 2020 5:58pm

Takeaways Covid-19 has affected most broadcasters commissioning practices and schedules, but lockdown has produced interesting new content (including by young people). Broadcasters are investing more in diversity on- and off-screen, and YACF is enabling them to make better content choices. The future points to fewer linear models of programming, moving…

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